that intentionally pull on heart strings for a big impact. The more introspective style of the documentary started 780 days after the death of Francois Chenu, and focused on the journey of the parents and the siblings of Francois as they reluctantly let go of their anger towards the perpetrators, and faced them in court to hear their testimony and defense. The documentary portrayed brilliantly the very banal nature of the proceedings surrounding the trial, and the way in which the grief played out for each member of the family. It cuts through the performative rhetoric of the victim, that one sees already polished whether in press releases and or in lawyer's prepared statements, by showing us the emotive discussion and preparation, even debate over a single word in the prepared statement. In this way the audience is brought to the realization that the strong face that the family show under the spotlight in the documentary is revealed to be more complex.
During the trial in the film, the audience observes that the family are torn by their rational democratic and humanistic principles and horror at the loss of someone they love at the hands of imbeciles. The better angels of their nature draw them to sympathize with the destitution of the perpetrators' lives, and the irresponsible actions and indifference of the parents of the accused.
Another interesting aspect to the trial was that the youngest perpetrator's legal representative was a Frenchman of "Arabic" descent. Given that the skinhead gang was intensely anti-Arab (one of their friends had pushed an Arab into the Seine where he then drowned), I thought it was extremely interesting to see how much the lawyer was involved with the young man and how much he pushed for leniency towards him. I also thought that his frank discussion with the family and about the remorse (or lack of) felt by the boys was incredibly powerful in that he was able to acknowledge their grief and appealed to their conscience at the same time, which he was able to do in part, because of his ethnic origin. During this discussion we can recognise the family's internal struggle, in that they want to know how to forgive, but are unsure of the remorse of the skinheads.
In contrast to more traditional media outlets, the focus on the film, was on those left behind, and the grief and justice process. Francois never appears in the film, nor do the aggressors, or any photos of the violence committed. In this way, we stand in the place of the parents, who are left imagining the pain that their son went through, but the film ends with an open letter to the perpetrators. It is hard to know how the family's actions are perceived by the killers, and at times the family seems worried that they are laughing at the liberal values of the family that compel them to get involved in the lives of the attackers rather than maintaining distance.
Definitely worth watching 4/5